Different works in Paris included an apartment constructing at 137 boulevard Raspail (1922), next to considered one of his earlier buildings at 26 rue Vavin; Number 4 and 6, Avenue Sully-Prudhomme within the 7th arrondissement, a constructing crowned with sculptural decoration by François Pompon; and in 1924, the constructing at 14-16 boulevard Raspail, Paris within the seventh arrondissement; the building at 22-24 rue Beaujon, Paris in the 18th arrondissement; at 42 rue de la Pomp in the 16th arrondissement; and at 50 avenue Duquesne and 12 rue Éblé in the seventh arrondissement. These are discovered at 20 rue Severo within the 14th arrondissement, (1905). 1 rue de la Chine within the 20th arrondissement (1907), 1 rue Ferdinand-Flocon within the 18th arrondissement Paris (1912), and one in the port metropolis of Le Havre, at 26 rue Jean-Macé (1911). In all of these buildings he adopted the rules of rational and hygienic design which had been expressed within the writings of Eugène Viollet-le-Duc.
He designed two movie theaters in Paris; the Sèvres, at 80 rue de Sèvres in the seventh arrondissement, inbuilt 1920 and destroyed in 1975; and the Gambetta-Palace, at 6 rue Belgrand, within the 20th arrondissement, inbuilt 1920. The art deco interior of this theater has been remade into a cineplex, and the entrances have been modified, however the facade is in its authentic form. However, he only utilized the system in two buildings; at 26 rue Vavin in the 6th arrondissement, and in an apartment constructing at thirteen rue des Amiraux. From 1929 until 1931, he taught architecture at the École nationale supérieure des arts décoratifs. Hitchcock as one of the pioneers of modernist architecture. He was also one in every of the primary artists of his generation to acknowledge the tip of the period of Art nouveau, which he abandoned in 1909. In 1913, Simply earlier than the first World Conflict, Sauvage built a new construction for Louis Majorelle in what later turned often called Art déco, making him, together with Auguste Perret, one of the pioneers on this type. 342-348. F. Jourdain, “La villa Majorelle à Nancy”, La Lorraine artiste, n°16, 15 août 1902, pp. L.-Ch. Boileau, « Causerie – La villa Majorelle », L’Architecture, n°40, 5 octobre 1901, p.
105-114. A. Goissaud, « Exposition des arts décoratifs », La Building moderne, 3 Could 1925, p. Sept étages pour déshonorer un site », Bulletin de l’art ancien et moderne, novembre 1932, p. J.-B. Minnaert, « Allégorie du système de building en gradins », dans Alain Guiheux et Jean Dethier (dir.), La Ville, Artwork et Structure en Europe 1870-1993, catalogue d’exposition, Paris, Centre Georges Pompidou, 1994, p. M. Chrétien-Lalanne, « Promenade d’un sceptique à travers l’Exposition des arts décoratifs et industriels modernes », L’Architecture, טיסה לסופיה 25 April 1925, p. In addition to his works in Paris, in 1925, Sauvage built a villa for Jean Hallade at Combs-la-Ville, and, in 1926, two villas in a rationalist type, one for himself Saint-Martin-la-Garenne in the Yvelines Division, and a residence for Julien Reinach, at 11 villa Madrid in Neuilly-sur-Seine, in the Paris suburbs. In 1930, Sauvage grew to become engaged in his last giant challenge, the enlargement of the department store La Samaritaine, a metropolis landmark in the middle of town subsequent to the Seine.
The facades of the new Samaritaine allowed Sauvage to practice on a monumental scale the methods which he earlier had solely been in a position to make use of on expensive smaller buildings for private purchasers; Huge partitions of windows, filled with gentle, made the shop a luminous landmark of the new model in the guts of historic Paris. In reconstructing and increasing the store, Sauvage preserved many of the artwork nouveau touches and decorations of the sooner building, while making a new Paris landmark of art deco design. From 1929 to 1932, he constructed a seven-story artwork deco apartment building known as Vert-Galant at 42 quai des Orfèvres, subsequent to the historic Place Dauphine and Palais de Justice, provoking a powerful reaction from historic preservationists. In 1911, Sauvage and Sarazin constructed a new apartment constructing within the 16th arrondissement which had a novel feature on its ground ground; an iron and glass purchasing gallery, the Cité d’Argentine, an up to date version of the Passages of the late 18th and early nineteenth century. He and Sarazin based an organization, Société anonyme de logements hygiéniques à bon marché (The corporate for hygienic and low-value housing). L’œuvre de la Société Anonyme des Logements Hygiéniques à Bon Marché, Paris s.d.